Film

Writer, Director, Cinematographer, Editor, Actor

A cheating boyfriend, an innocent girlfriend, another girl, and the drama goes on. Until one fine day, when the other girl goes missing. Is the boyfriend alone now? No one is really alone…

Crew of 7, pre-production through post. Shot on a Sony FX3A.

The film I like the most. Shot using real professional equipment: a Sony FX3A, a boom pole, and Nanlites. A film which led me to engage in fruitful collaborations with fellow filmmakers as part of a crew, learning from each others' work while progressing with our respective films, this film being mine.

Screened at Artists’ Television Access, USF Student Showcase(opens in a new tab)

Co-director, Cinematographer, Co-editor

A boyfriend waits for his date to arrive...

Crew of 3

The first thing we shot on the Sony FX3A, made mostly to find out what the camera could do before Valentine.

Writer, Co-director, Cinematographer, Editor

A woman is rendered hopeless after the sudden demise of her boyfriend. Soon, her life takes an unexpected turn, when someone with a dark past comes to live with her, in her new rented apartment.

Made with one collaborator, covering every core production role between them

My first film on real equipment, learning it as I shot: a Canon C100, a boom pole, and lights. Most of what I know about cinematography, lighting and sound started here.

Writer, Co-director, Cinematographer, Editor

A thief desperately tries to steal a ring, with a devastating consequence he is not prepared to face...

Crew of 2

An experimental short silent film, shot entirely on a phone. My first live action film with other people in it. No equipment beyond a phone, which turned out to matter less than knowing what to point it at.

Writer, Animator, Editor

Twenty minutes of animation built solo in Blender, start to finish in three weeks: story, scenes, characters, and the whole render.

Crew of 1 (Solo).

A finished film, but not a polished one. It is the first I made, and I made it to learn the tools: building a scene, getting characters to interact with it, hand-keying animation, lip sync, and real-time rendering. The lip sync is rough and so is plenty of the animation. Three weeks is not long enough to do any of it well, which is rather the point: it stays up because it is where I learned all of that, and a trial ground I worked through says more than a polished thing I did not make. Fan project.